Film strip with images of movie tickets, theater seats with audience, movie theater sign, clapperboard, filming scene, cassette tapes, crowd with 3D glasses, comic books, and people in a recording studio.
Brown banner with white text that says 'INTRODUCING'.
A film strip with various images related to digital media, technology, and media production.
White text on black background reading 'Camp Studios' in a stylish font.

A Quiet Revolution in Film & Entertainment

vol. 1

Over the next five months, we’re funding and educating a group of 12 internet-proven filmmakers—creators who have already shown they can tell stories at the highest levels and build massive audiences. Together, we’ll help them write powerful screenplays, work with their first actors, and transform their ideas into fully realized experiences being screened this spring.

A group of people gather around a tabletop role-playing game setup with miniatures, dice, and rulebooks in a cozy indoor space, possibly a gaming room or basement.
Close-up of a female actress in a white fur coat standing on city street during filming, with a film camera and crew member capturing the scene.

The traditional formula of Hollywood is tired. As it increasingly leans on established franchises to bring in revenue, it’s clear there’s a growing gap in the market for new, bold IP. That’s where we come in.

The next great filmmakers are coming from the internet. It’s our mission to unlock these stories and build a new north star for everyone growing up making films in their bedrooms.

vol. 2

Hollywood’s Breaking Point

The Sequel Syndrome

In 2023, 85% of the top 10 box office films were sequels or part of an existing franchise (Variety). Audiences are increasingly frustrated with studios prioritizing safety over creativity.

High Stakes, High Risk

Studio blockbusters now cost an average of $200–300 million (Forbes). This “all or nothing” approach leaves no room for risk or bold new ideas, forcing studios to rely on pre-sold franchises. Films with budgets between $10–50 million—once the backbone of Hollywood storytelling—have nearly disappeared (The Atlantic). Fewer than 10% of studio films now fall into this category..

Declining Box Office Presence For Original Films

Original, non-franchise films accounted for less than 5% of the global box office in 2023 (Deadline), showing that studios are struggling to take risks on new ideas.

A person in motorcycle gear wearing a helmet being filmed on a film set outdoors with trees in the background. A clapperboard is being held up in front of them. Still from Recider's film.
A person operating a camera on a tripod at a table with various objects, set in a dark environment.

The Rise of the Bedroom Filmmaker

vol. 3

Bedroom film-makers are getting f*cking good.

These aren't just "YouTubers" or "TikTokers", but incredible writers, directors, & storytellers that find themselves on a crash course with Hollywood.

Untapped Potential: These filmmakers don’t fit into Hollywood’s old system, with its years of gatekeeping and endless compromises. They’ve already proven they can adapt, innovate, and connect with massive audiences in real-time.

Rewriting the Rules of Production: With access to high-quality cameras, editing software, and distribution platforms, they’re reducing production costs while creating stunning work—both in film and commercial projects. They’re not just storytellers; they’re producers, directors, and editors rolled into one, proving that incredible work can be done without the bloated budgets Hollywood depends on.

Breaking Free from the Treadmill: Many of the most creative internet artists have become glorified freelancers, surviving on brand deals and ad revenue while sacrificing originality. They’re stuck in a cycle—constant motion with no elevation. The next Scorsese might be making mid-roll ads to get by. Camp Studios is here to break that cycle and give creators the resources to reach their full potential.

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Recent internet-native stories, such as The Philippou brother’s Talk To Me, show us that the industry is paying attention. Independent hits like Everything Everywhere All At Once—grossing over $100 million on a $25 million budget (IndieWire)—prove that audiences are hungry for fresh, boundary-pushing films.

The same applies to the commercial side. Internet-born creators are reshaping how brands connect with audiences, producing high-quality, commercial-grade content at a fraction of the cost of traditional ad agencies. Their ability to wear multiple hats—director, editor, storyteller—gives them an edge that’s hard to ignore in today’s fast-paced creative landscape.

Camp Studios is more than a production company—it’s a bridge. A way to connect the untamed creativity of internet filmmakers with the cinematic world that’s ready for something new.

A collage featuring Wesley Wang and Kane Pixels, one in a black shirt and the other in a tuxedo, with a gold trophy, video thumbnails, a YouTube play button, and film strip elements, suggesting themes of video creation and entertainment.
Collage of Gawx Art and objects illustrating emotions, his videos, technology, food, and daily life, with a central photo of a person wearing glasses.
Collage of Natalie Lynn. Travel-themed items including a movie poster for 'Borderless', a woman sitting on the ground, a video camera, a vintage camper van, a highway 50 sign, & a black-and-white photo of a sign for Doubt Island in British Columbia.
A person operating a professional video camera with speech bubbles containing inspirational messages: 'The camera you have is enough,' 'The people around you are enough,' and 'The vision in your head is real.'